‘Swag’ delves into the complex lives of individuals seeking to reclaim their ancestral treasure, navigating a labyrinth of proof, power, and hidden agendas.
Story
SI Bhavabhooti (Sree Vishnu), a male chauvinist sees an opportunity to get in possession of the treasure of Swaganika Clan. However he is in for a shock with the entry of Anubhuthi (Daksha Nagarkar) who fights for the rights of the women. Even as they fight against each other, the protectors of Swaganika Clan face more confusion when they come to know about Yayati (Sree Vishnu) and Vibhuthi (Sree Vishnu).
To unravel the mystery and find out the twists and turns involving Vinjamara Clan queen Rukmini Devi (Ritu Varma), King Bhavabhooti (Sree Visnhu), Revathi (Meera Jasmine) wife of SI Bhavabhooti, Singareni (Sree Vishnu) lover of Anubhuti, enjoy the film on the big screen.
Analysis
Sree Vishnu delivers a powerhouse performance in “Swag,” showcasing his versatility and range. He effortlessly slips into multiple roles, each distinct in mannerisms, dialogue delivery, and emotional depth. His transformations are seamless, keeping audiences captivated throughout.
Ritu Varma makes a strong initial impression, but her role unfortunately fizzles out as the narrative progresses. Meera Jasmine delivers a commendable performance, evoking fond memories of her past work. Daksha Nagarkar portrays a modern girl convincingly, while Sunil and Goparaju Ramana contribute effectively to the ensemble cast.
Director Hasith Goli tackles gender issues in a comedic manner, but the execution falls short. The first half is confusing and lacks a cohesive storyline, with only Sree Vishnu’s performance keeping viewers engaged. The interval block is equally underwhelming, and while the second half’s flashback episode generates interest, the confusing climax leaves audiences bewildered. The film relies heavily on double entendres, requiring attentive viewing to fully grasp the humor.
Vivek Sagar’s music fails to leave a lasting impression, with the songs failing to resonate. However, his background score is commendable. Vedaraman Sankaran’s cinematography enhances the film’s visual appeal, adding depth to the story. Viplav Nyshadham’s editing, however, lets the film down, with numerous dragging scenes left unattended. The production values are commendable, but the film suffers from a lackluster screenplay and inconsistent pacing.
While Sree Vishnu’s performance is a highlight, “Swag” ultimately fails to deliver on its promising concept. The confusing narrative and uneven execution hinder the film’s potential, leaving audiences with a mixed bag of entertainment.
Verdict
Sree Vishnu steals the hearts of all with his performance in Swag but Hasith Golli’s confusing screenplay and narration reduces the swag of Swag.